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Jamie Holdham
Haydn - Symphony 96. [Mvt.IV.] {Professional production full score.} Unfinished.
Jamie Holdham
1:17 Est. Play
Time
164 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 25 3 11 4 99%
Viola 18 1 6 3 91%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 25 3 11 4 99%
Viola 18 1 6 3 91%
Violino
II		 Treble 22 2 8 5 91%
Violoncello e
Contrabasso		 Bass 18 0 5 2 83%
Fagotti
1,
2		 Bass 17 4 3 3 48%
Oboi
1,
2		 Treble 17 11 7 3 39%
Flauti
1,
2		 Treble 17 3 3 3 30%
Tromba
1,
2 in
D		 Treble 3 1 0 2 6%
Timpani
in
D-A		 Bass 2 0 0 2 5%
Corno
1,
2 in
D		 Treble 2 1 0 1 4%
 
Mozart - A Musical Joke. {Very professional score}. Unfinished.
Jamie Holdham
2:48 Est. Play
Time
169 Measures
1,226Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso. Bass 18 0 3 6 100%
Viola. 21 5 3 7 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso. Bass 18 0 3 6 100%
Viola. 21 5 3 7 100%
Violino
I.		 Treble 17 6 3 6 100%
Violino
II.		 Treble 25 7 6 6 100%
Corni
in
F.		 Treble 10 13 0 7 86%
 
Gustav Holst - Saturn. {Professional production full score.} Unfinished.
Jamie Holdham
2:40 Est. Play
Time
109 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
3
BASSOONS		 Bass 3 0 0 3 100%
3
Flutes		 Treble 6 3 2 3 68%
View all 22 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
3
BASSOONS		 Bass 3 0 0 3 100%
3
Flutes		 Treble 6 3 2 3 68%
Bass
Flute
in
G		 Treble 3 0 0 3 68%
Harp
I		 Treble 0 0 0 0 0%
Bass 4 2 1 2 65%
Harp
II		 Treble 0 0 0 0 0%
Bass 2 0 0 2 65%
DOUBLEBASSES Bass 12 4 3 6 54%
Violoncellos Bass 9 0 3 5 48%
2
Tenor
Trombones		 12 1 5 6 39%
Bass
Trombone and
Tuba		 Bass 2 0 0 5 15%
I
II		 Treble 6 0 4 5 15%
1st
Violins		 Treble 2 0 0 3 13%
2st
Violins		 Treble 2 0 0 3 13%
4
Trumpets
in
C		 Treble 9 9 4 2 13%
Bass
Oboe		 Treble 4 0 0 4 13%
Violas 2 0 0 3 13%
Bass
Clarinet
in
B♭		 Treble 4 0 0 4 12%
3
CLARINETS
in
B♭		 Treble 5 0 4 3 8%
III
IV		 Treble 2 1 1 2 8%
V
VI		 Treble 2 1 1 2 8%
3
OBOES		 Treble 2 0 0 3 5%
 
Wagner - Huldigungsmarsch. {Professional production full score.} Unfinished.
Jamie Holdham
0:58 Est. Play
Time
119 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
CLARINETTEN in
B.		 Treble 17 2 5 6 96%
2
OBOEN.		 Treble 15 1 5 6 96%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2
CLARINETTEN in
B.		 Treble 17 2 5 6 96%
2
OBOEN.		 Treble 15 1 5 6 96%
2
VENTILHORNER in
Es.		 Treble 13 2 3 4 91%
2
VENTILHORNER in
F.		 Treble 16 2 5 6 91%
BRATSCHEN. 16 3 3 6 77%
Violoncelle. Bass 20 0 2 6 68%
2
grosse
Floten.		 Treble 14 2 3 5 61%
2
FAGOTTE.		 Bass 20 10 6 4 57%
BASSCLARINETTE in
B.		 Bass 14 0 3 4 55%
Contrabasse. Bass 12 0 1 3 55%
Zweite
Violinen.		 Treble 14 3 3 8 55%
Erste
Violinen.		 Treble 19 2 4 7 45%
1te
u:
2te VENTILTROMPETE in
F.		 Treble 4 2 0 2 27%
2
TENORPOSAUNEN.		 4 2 0 2 27%
3te VENTILTROMPETE. Treble 1 0 0 2 27%
BASSPOSAUNE. Bass 1 0 0 2 27%
Tuba. Bass 2 0 0 2 27%
 
Buxtehude - Trio Sonata No.6 in D. {Professional production full score.} Unfinished.
Jamie Holdham
0:34 Est. Play
Time
195 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 9 8 1 3 100%
Bass 13 3 3 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 9 8 1 3 100%
Bass 13 3 3 2 100%
Cembalo. Bass 13 0 3 2 100%
Viola
da
gamba.		 5 0 1 5 100%
Violino. Treble 5 0 0 5 100%
 
Gustav Holst - Venus. {Professional production full score.}
Jamie Holdham
2:45 Est. Play
Time
145 Measures
1,166Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I
II		 Treble 19 23 5 5 58%
Treble 12 9 5 6 67%
View all 23 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I
II		 Treble 19 23 5 5 58%
Treble 12 9 5 6 67%
III
IV		 Treble 17 15 5 5 61%
Treble 10 3 3 4 40%
3
OBOES		 Treble 19 15 6 5 53%
1st
Violins		 Treble 14 0 2 7 53%
3
CLARINETS
in
B♭		 Treble 22 26 10 6 52%
2nd
Violins		 Treble 9 0 2 7 43%
Harp
I		 Treble 15 19 2 1 30%
Bass 3 1 0 1 17%
English
Horn		 Treble 2 0 1 4 30%
Violoncellos Bass 13 0 2 4 30%
DOUBLEBASSES Bass 7 0 0 4 23%
Harp
II		 Treble 13 14 2 1 22%
Bass 9 7 2 1 19%
3
BASSOONS		 Bass 5 2 0 2 20%
Bass
Clarinet
in
B♭		 Treble 7 0 1 4 17%
V
VI		 Treble 2 1 0 1 9%
Celesta Treble 4 0 0 1 4%
Bass 4 3 1 1 4%
DOUBLE
BASSOON		 Bass 1 0 0 2 4%
Glockenspiel Treble 4 0 0 2 4%
Violas 8 0 1 2 4%
 
Paganini - Nel cor piu non mi sento. {Professional production score.}
Jamie Holdham
10:37 Est. Play
Time
273 Measures
1,831Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 45 125 23 16 99%
Treble 22 10 3 8 24%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 45 125 23 16 99%
Treble 22 10 3 8 24%
 
Beethoven - Symphony No.9. Mvt.1. {Performance + Full Score}. [Unfinished.]
Jamie Holdham
0:01 Est. Play
Time
146 Measures
1,181Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
II		 Treble 21 14 4 8 100%
Violoncello Bass 15 4 2 9 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
II		 Treble 21 14 4 8 100%
Violoncello Bass 15 4 2 9 100%
I.
II
in
D 4
Corni III.
IV
in
B
Basso		 Treble 10 10 0 8 95%
2
Clarinetti
in
B		 Treble 22 20 4 8 93%
Violino
I		 Treble 20 7 4 8 88%
Viola 17 7 3 8 77%
2
Oboi		 Treble 19 21 5 8 75%
Contrabasso Bass 14 0 2 8 73%
2
Flauti		 Treble 19 19 4 8 65%
2
Fagotti		 Bass 25 17 8 8 61%
Horn
in
B♭
basso		 Bass 9 4 1 8 46%
2
Trombe
in
D		 Treble 5 2 0 8 42%
Timpani
in
D-A		 Bass 2 0 0 5 41%
 
Schubert - Symphony No.8. {Professional production full score.} Unfinished.
Jamie Holdham
2:14 Est. Play
Time
117 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso. Bass 14 0 1 4 96%
Violoncello. Bass 14 0 1 7 93%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso. Bass 14 0 1 4 96%
Violoncello. Bass 14 0 1 7 93%
Clarinetti
in
A.		 Treble 14 11 5 5 80%
Viola. 12 4 3 2 76%
Violino
I.		 Treble 18 5 5 6 65%
Violino
II.		 Treble 16 4 4 6 65%
Oboi. Treble 12 2 4 5 64%
Corni
in
D.		 Treble 7 4 0 5 59%
Fagotti. Bass 11 10 2 5 46%
Flauti. Treble 9 1 0 5 34%
Trombone Bass 3 0 0 3 11%
4 2 1 3 9%
Timpani
in
H.Fis.		 Bass 2 0 1 2 11%
Trombe
in
E.		 Treble 4 3 0 2 11%
 
Buxtehude - Trio Sonata No.3 in A. {Professional production full score.} Unfinished.
Jamie Holdham
10:46 Est. Play
Time
148 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo. Bass 15 0 3 6 100%
Viola
da
gamba.		 17 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo. Bass 15 0 3 6 100%
Viola
da
gamba.		 17 0 5 6 100%
Harpsichord Treble 15 25 5 6 95%
Bass 16 5 4 6 97%
Violino. Treble 14 0 4 6 95%
 
Richard Wagner - ENDE.zu.PARSIFAL in Full score.
Jamie Holdham
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I. Viol. Treble 19 6 4 8 100%
II. Treble 20 5 7 11 100%
View all 25 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I. Viol. Treble 19 6 4 8 100%
II. Treble 20 5 7 11 100%
Br. (get) 22 6 8 11 91%
Violas 21 6 7 11 91%
Vcl. Bass 18 4 4 12 77%
III.
IV.		 Treble 12 12 5 7 59%
K.B. Bass 10 0 1 7 55%
I. Treble 11 0 2 6 41%
Treble 12 0 2 7 50%
I. Klar. in
B.		 Treble 10 0 0 7 45%
III. Treble 6 0 1 6 27%
Treble 10 0 1 7 41%
Bass 2 0 1 2 14%
Bass 10 0 1 7 36%
Fl.
II.		 Treble 9 0 1 7 41%
I.II. Pos. 13 14 0 7 36%
I.II. Fag. 7 2 3 5 32%
II.
III.		 Treble 8 0 5 5 32%
I.
II. Horn in
F.		 Treble 9 12 3 6 27%
II.III. Treble 9 9 2 6 27%
Althob. Treble 7 0 1 6 27%
Hob.
II.		 Treble 6 0 0 6 27%
Bab-Tb. Bass 2 0 0 4 23%
I. Trp. in
F.		 Treble 4 3 0 1 9%
Pk. Bass 1 0 0 1 9%
 
*RULE BRITANNIA*.*Richard Wagner*.*RULE BRITANNIA.* [Unfinished.]
Jamie Holdham
0:39 Est. Play
Time
86 Measures
1,267Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I,
II. Corni
in
D. III,IV.		 Treble 12 14 2 8 100%
Horn
in
D		 Treble 13 18 2 6 100%
View all 20 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I,
II. Corni
in
D. III,IV.		 Treble 12 14 2 8 100%
Horn
in
D		 Treble 13 18 2 6 100%
Trombe
vent.
in
D.		 Treble 14 17 2 7 100%
Trombe
ord.
in
D.		 Treble 8 7 0 6 95%
Flauti. Treble 14 15 2 10 94%
Fagotti. 25 8 7 9 94%
Basso. Bass 16 0 6 8 92%
Clarinetto
in
F.		 Treble 16 0 1 10 92%
Viola. 21 11 5 6 92%
Violino
I.		 Treble 20 5 4 10 92%
Violino
II.		 Treble 21 19 3 10 92%
Violoncello. Bass 21 1 6 8 92%
Clarinetti
in
C.		 Treble 12 17 2 9 88%
Oboi. Treble 14 18 3 9 88%
Trombone
Alto e
Tenore.		 9 9 1 7 86%
Contra
Fagotto.		 Bass 13 0 5 7 85%
Ophicleide. Bass 16 0 5 7 85%
Timpani
in
D,A.		 Bass 2 0 0 9 85%
Trombone
basso.		 Bass 13 0 5 7 85%
Flauti
piccoloi.		 Treble 17 17 2 9 84%
 
Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}
Jamie Holdham
2:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 4 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
View all 27 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 4 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
2.u.3.
(B.)		 Treble 18 21 7 5 66%
12
BRATSCHEN.		 17 0 4 5 57%
1. 3
gr.FLOTEN.		 Treble 9 1 3 5 56%
2
Tenor.
(B) 4
TUBEN.		 Treble 7 2 3 4 53%
2.u.3. Treble 12 10 4 5 48%
Treble 8 6 1 5 52%
Bass 6 0 2 4 33%
1.
(B.) 3
CLARINETTEN.		 Treble 17 0 5 3 52%
1
BASS- CLARINETTE.
(B)		 Bass 13 0 5 4 52%
3.u.4. Treble 15 14 8 5 52%
2
Bass.
(F.)		 Bass 5 4 1 4 50%
3. Bass 15 1 4 5 50%
1.u.2. 4
HORNER.		 Treble 15 12 8 5 48%
ENGLISCHES
HORN.		 Treble 5 0 2 5 48%
Violins Treble 24 0 9 5 48%
1. 3
TENOR-BASS- POSAUNEN.		 7 4 1 4 47%
16
erste 32
VIOLINEN. 16
zweite		 Treble 22 0 10 4 44%
1.u.2. 3
FAGOTTE.		 5 2 2 4 44%
1
BASS-TROMPETE. (Es.)		 Treble 13 0 5 5 44%
1. 3
HOBOEN.		 Treble 4 0 0 4 41%
1
CONTRABASS- POSAUNE.
(C)		 Bass 4 0 0 4 33%
8
CONTRABASSE.		 Bass 5 0 0 4 26%
1.
(Es.) 3
TROMPETTEN.		 Treble 3 0 3 4 22%
2.u.3.
(Es.)		 Treble 4 2 3 3 15%
Pauken. Bass 2 0 1 1 7%